During the 1890s, the bicycle became a significant symbol of women’s liberation, offering them a newfound freedom of transportation.  In this pen and ink drawing, five women are seen with their bicycles, likely preparing for a Sunday afternoon ride in the countryside.

The scene captures not just a recreational activity but a profound statement of social change. The debate over women and bicycling was intense during this period. On one side were women striving for social independence; on the other, traditionalists who saw this independence as a threat to societal morals. Despite the fierce discussions, the bicycle emerged as a tool for empowerment, allowing women to traverse distances independently and break free from restrictive norms.

Learning to ride a bicycle was not without its challenges. Balancing on two wheels was often a hazardous process, leaving riders with bruised shins and battered knees. For women, the public spectacle of falling or struggling to ride was even more embarrassing due to societal expectations of grace and elegance.

Despite these challenges, women found ways to learn and enjoy cycling. Some practiced early in the morning or late at night on quiet roads, away from prying eyes. Others attended cycling schools, which provided private spaces to learn the art of cycling without public embarrassment.

Five Women Cyclers, Catalog #41

Extra Series Information: This drawing is part of the “Old-Time Bicyclists” series by Maggie LaNoue, capturing the essence of historical bicycling scenes with intricate pen and ink details.